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Collocation No. 14 (NATURE) Left Panel, Collocation No. 14 (NATURE) Right Panel, MORE BOOKS, and WORD STUDY by Mickey Smith
 As we slowly replace printed books with digital versions, conceptual artist and photographer Mickey Smith has made it her mission to document bound periodicals and professional journals in public libraries. Some of the volumes she has captured have already been destroyed. “I am struck by the physical mass of knowledge and the tenuousness of printed work as it fades from public consciousness,” says Smith. 
Collocation No. 14 (NATURE) Left Panel, Collocation No. 14 (NATURE) Right Panel, MORE BOOKS, and WORD STUDY by Mickey Smith
 As we slowly replace printed books with digital versions, conceptual artist and photographer Mickey Smith has made it her mission to document bound periodicals and professional journals in public libraries. Some of the volumes she has captured have already been destroyed. “I am struck by the physical mass of knowledge and the tenuousness of printed work as it fades from public consciousness,” says Smith. 
Collocation No. 14 (NATURE) Left Panel, Collocation No. 14 (NATURE) Right Panel, MORE BOOKS, and WORD STUDY by Mickey Smith
 As we slowly replace printed books with digital versions, conceptual artist and photographer Mickey Smith has made it her mission to document bound periodicals and professional journals in public libraries. Some of the volumes she has captured have already been destroyed. “I am struck by the physical mass of knowledge and the tenuousness of printed work as it fades from public consciousness,” says Smith. 
Collocation No. 14 (NATURE) Left Panel, Collocation No. 14 (NATURE) Right Panel, MORE BOOKS, and WORD STUDY by Mickey Smith
 As we slowly replace printed books with digital versions, conceptual artist and photographer Mickey Smith has made it her mission to document bound periodicals and professional journals in public libraries. Some of the volumes she has captured have already been destroyed. “I am struck by the physical mass of knowledge and the tenuousness of printed work as it fades from public consciousness,” says Smith. 

Collocation No. 14 (NATURE) Left Panel, Collocation No. 14 (NATURE) Right Panel, MORE BOOKS, and WORD STUDY by Mickey Smith

 As we slowly replace printed books with digital versions, conceptual artist and photographer Mickey Smith has made it her mission to document bound periodicals and professional journals in public libraries. Some of the volumes she has captured have already been destroyed. “I am struck by the physical mass of knowledge and the tenuousness of printed work as it fades from public consciousness,” says Smith. 

Slurp and Salty by Michelle Vaughan
An oyster lover, artist Michelle Vaughan uses text to capture the action of eating the popular shellfish. And the delicate pink coloring? Vaughan chose this shade for its resemblance to the interiors of oyster shells. Even the Hamilton Gothic typeface, originally owned by the Baltimore Police Department, is meant to evoke Vaughan’s favorite food. “It is a clean, honest face for everyday use,” says the artist. “Oysters were once the everyman’s food, eaten by rich and poor alike—Gothic symbolizes this spirit.”
Prints of these editions begin at $60. 
Slurp and Salty by Michelle Vaughan
An oyster lover, artist Michelle Vaughan uses text to capture the action of eating the popular shellfish. And the delicate pink coloring? Vaughan chose this shade for its resemblance to the interiors of oyster shells. Even the Hamilton Gothic typeface, originally owned by the Baltimore Police Department, is meant to evoke Vaughan’s favorite food. “It is a clean, honest face for everyday use,” says the artist. “Oysters were once the everyman’s food, eaten by rich and poor alike—Gothic symbolizes this spirit.”
Prints of these editions begin at $60. 

Slurp and Salty by Michelle Vaughan

An oyster lover, artist Michelle Vaughan uses text to capture the action of eating the popular shellfish. And the delicate pink coloring? Vaughan chose this shade for its resemblance to the interiors of oyster shells. Even the Hamilton Gothic typeface, originally owned by the Baltimore Police Department, is meant to evoke Vaughan’s favorite food. “It is a clean, honest face for everyday use,” says the artist. “Oysters were once the everyman’s food, eaten by rich and poor alike—Gothic symbolizes this spirit.”

Prints of these editions begin at $60. 

Apart Push Lawn Mower and Old Push Lawn Mower by Todd McLellan
When this old lawn mower was thrown away, its pieces were still in working order. Part of artist Todd McLellan’s Disassembly series, these intriguing images examine—piece by piece—beautifully built machines that have been replaced by newer technology.
Prints of these editions begin at $24. 
Apart Push Lawn Mower and Old Push Lawn Mower by Todd McLellan
When this old lawn mower was thrown away, its pieces were still in working order. Part of artist Todd McLellan’s Disassembly series, these intriguing images examine—piece by piece—beautifully built machines that have been replaced by newer technology.
Prints of these editions begin at $24. 

Apart Push Lawn Mower and Old Push Lawn Mower by Todd McLellan

When this old lawn mower was thrown away, its pieces were still in working order. Part of artist Todd McLellan’s Disassembly series, these intriguing images examine—piece by piece—beautifully built machines that have been replaced by newer technology.

Prints of these editions begin at $24. 

Filter Samples by Jessica Eaton

Who would have imagined that humble filter samples could used to create such a vivacious, cheerful work of art? Artist Jessica Eaton’s attempts to construct fictional rainbows yielded Filter Samples. “Hundreds of swatches from Lee Filters sample packs were arranged on the window, by spectral wave transmission, to turn my living room into a ROYGBIV light box,” says Eaton.

Prints of this edition begin at $60

Autoportrait en poulpe, 2009 by David Favrod

An entrancing, sometimes hallucinatory collection of images, Gaijin is a tool in photographer David Favrod’s quest for identity.  The Second Edition 2012 Hot Shot and Aperture Portfolio Prize–winner has lived in Switzerland for most of his life, but was born in Japan to a Japanese mother and Swiss father; he created Gaijin after the Japanese embassy in Switzerland denied his citizenship request.  “The aim of this work is to create ‘my own Japan’ in Switzerland, from memories of my journeys when I was small, my mother’s stories, popular and traditional culture and my grandparents’ war narratives,” says Favrod.

See all of our Second Edition 2012 Hot Shots and learn more about the Hey, Hot Shot! photography competition

Chateau by Jeremy Kohm

Photographer Jeremy Kohm captured this stunning, Art Deco-styled swimming pool in the hours before his wedding reception (when he probably should have been getting ready, he admits). The pool, built in 1929 in Ottawa’s Chateau Laurier, is located in the same building where Kohm’s personal hero and famed Canadian portrait photographer Yousuf Karsh once kept a studio and residence.

Prints of this edition begin at $60

Male Centerfold, 2012 by Pacifico Silano

Through his photo and video work, Pacifico Silano explores LGBTQ history and how it has shaped contemporary gay identity. By creating imagery with Al Parker, one of the most famous gay porn stars of the 1970s, Silano has created an unconventional series of portraits that memorialize and draw attention to a lost generation of gay men. “The process of making these new pictures and reworking images from the past has allowed me to catalogue and emphasize a neglected history, one that is imbued with my own fantasies of a place and time that I never lived through,” he says.

Silano is one of five exceptionally talented photographers included among our Second Edition 2012 Hot Shots. Learn more about the Hey, Hot Shot! photography competition. 

How It Works by Austin Kleon

To create his famous Newspaper Blackout Poems, artist Austin Kleon “blacks out” newspaper articles with a marker, creating poetry out of the words that remain. “How it works: I will give you whatever you want for all the cartwheels you’re doing for me,” Kleon unearths from an article about hedge fund investing. “Like many of my poems, it’s about my wife,” he sweetly explains.  This romantic print is among our special Valentine’s Day selections—see them all here.

Prints of this edition begin at $60. Check out Austin Kleon’s excellent Tumblrs, newspaperblackout.com and tumblr.austinkleon.com.

Scholar’s Rock, 2012 by Erin O’Keefe

Erin O’Keefe’s has explored architecture, sculpture and photography during her artistic career. Here, she examines the relationship between object and image.  “I photograph two-dimensional constructions, which are themselves made from pieces of other photographic images, and rely on the three-dimensionality depicted in these fragments to create the illusion of a sculptural object,” says O’Keefe.

O’Keefe is one of five exceptionally talented photographers included among our Second Edition 2012 Hot Shots. Learn more about the Hey, Hot Shot! photography competition. 

Atari by Hollis Brown Thornton

Artist Hollis Brown Thornton is borne back ceaselessly into our digital past. “The collection of games is a tribute to these digital origins, as well as a tribute to the excellent artwork on these worn out cartridges,” says Thornton.

Do you have fond memories of playing these games? Are any of the cartridges still in your possession?

Prints of this edition begin at $60